Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Wednesday, January 14, 2015

Trying to Find Writing Again ...

So I think it's safe to say that I've lost writing.

This is heartbreaking to me, as writing has been my solace, my sanity, and my safety since I was a very little girl. I don't remember NOT writing ... and now I can't seem to do it.

There's a part of me that says, "Gee, you know, maybe I've said all I need to say." Deep inside, though, I know this isn't the truth.

So, then, what is?

I think the truth is that the things I have to say are complicated. They are inflammatory. They put a lens on people, including myself, who have not acted well.

That lens is strong. It's unbreakable. It's also got a "no going back" clause.

I have always had a rebellious streak. I never wanted to do what I was supposed to do in the way I was supposed to do it.

However, I also have a "people-pleaser" streak. I would hope that nothing I write would never hurt people. At this point in time, I'm not sure that's possible.

I could write about fluffy bunnies and Christmas spirit and how beautiful the ocean is ... but who really cares?

What I want to write about ... well, I suspect people would care, but it might piss off a lot of people. Intentionally lighting fires under folks is not my style.

And so I'm silent.

The other problem is that there is a novel brewing. It's very John Irving-esque, and it's largely true. Writing that novel could either kill me or save me. I'm not sure I'm ready to roll the dice on that one.

Yet it haunts me, that story that is begging to be told, that story that has never been told. Even with the protective label of "fiction", I don't know that I have the courage to go there, and so I beat myself up metaphorically every time I fire up my laptop.

Anyway, I'll stop rambling. I am going to try to write more.

I don't feel like me without writing.

Tuesday, December 20, 2011

Writing Contest: Sharing My Tickle

The eternal question for writers seems to be, "Where do you get your ideas?"

While I've written before about the dream that spawned my completed manuscript, it's usually a bit less involved.  In general, I get my ideas from something I see or hear that strikes me as noteworthy ... I call it "a tickle".

I had quite a tickle today ... and NOT writing about it is actually a force of will.  In fact, I'm only keeping my muse under wraps with the knowledge that I will write a short story based on today's tickle as soon as I get this post up.

Yup, I've decided to have a writing contest :-)

Okay, here are the details ...

1.  Write a short story incorporating my tickle into it.  Genre doesn't matter.

2.  Send me your short story via e-mail before December 30th.

3.  I will choose my three favorites and post them here on January 1st.  At that time, votes will be open for you to vote on your favorite for the next three days.

4.  Winner receives a special prize (and, of course, bragging rights) that will necessitate in your being willing to hook me up with your mailing address.

Any questions?  Leave them in the comments.  Also feel free to let me know in the comments that you're participating.

Okay, onto the tickle ...


Yup, the tickle is ... A GREEN PICKUP TRUCK!

More specifically, here's what happened ...

I was driving home from work on a very rural New Hampshire street that is known to locals as "Mountain Road" (it is well-named).  I saw a green pickup truck coming from the other direction with its hazard lights flashing.  I looked at the license plate and saw that the truck had government plates.  However (and this is the bottom line of the tickle), there was no further identification on the truck.  It didn't have a Department of Transportation decal.  There were no police lights.  It was very generic.  The mystery of that truck fascinated me, and I started making up a story right there ...

And now, so can you.  The green pickup truck is the required presence in your story, although you can feel free to use the other details I shared.

Please feel free to share this writing contest as you see fit ... the more, the merrier!

Happy writing, and I look forward to reading your stories :-)

Saturday, July 30, 2011

I Wrote a Short Story--Read and Critique, Please?

My primary weakness as a writer of fiction is that I am trapped in the world of novel.  I seem to be incapable of writing anything short ... it all just wants to grow into a novel that might or might not come into fruition.

I'm making a serious effort to work with the "short story" concept, which I've struggled with.  If you're interested, you can check out a couple of my prior attempts here ("Ruffled Feathers"), here ("Fading Bouquets"), and here ("Que Sera Sera").  The following is my latest crack at it.

Please let me know what you think--comments, criticisms (only please don't say, "It sucks" without elaboration), suggestions, general "keep trying ... you'll get better" words of encouragement--all would be welcome and much appreciated.

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                                       "MATRIARCH"
                                                 by
                                          Katie Loud

Carol Butterick sighed with pleasure, careful to make sure that the noise could be construed as pain, discomfort, sadness.  She was, after all, dying.

She allowed her eyes to open a crack, taking in the sight of her family huddled around her hospital bed, as close as the IV stand would allow.  She noted with satisfaction that they were all there, the whole lot of them. They were quiet, and Carol knew that her presence was the reason why.

Nobody was looking directly at Carol--that was clearly too painful for them as they struggled to imagine a world without her.  She had, after all, been omnipresent in all of their lives for ... well, forever, as far as she was concerned.  

Her husband Herman was sitting close to her on her right side, his hand almost touching hers, but not quite.  She was glad.  

Herman looked old and haggard; he was a heavy smoker whose every breath was characterized by the wheeze of emphysema.  The doctor had suggested that Herman use a portable oxygen tank, but Carol had put the kibosh on that right away.  Herman needed to carry her wheelchair from place to place, to help her in and out of the car, to run and do her bidding as he'd done for the duration of their marriage.  That was his role.

Herman was a car mechanic, and he wore his work uniform even on weekends.  It was easier that way, since the garage laundered employee attire; the thought of his dirty, greasy clothes mixing in with hers in the washing machine ... well, it was just not going to happen, and that was all.

They lived in a small, almost stereotypical New Hampshire town, and the Buttericks were considered an odd, even a dysfunctional, family.  Carol didn't mind; it was easy enough to ignore the "Jack Sprat and his wife" jokes and the implication that Herman was what the young ones called "pussywhipped".  

That was a joke; Carol hadn't allowed her husband carnal knowledge of her body since their wedding night.  

He did her bidding, came running when she called, and handed over his paycheck.  She handled the bills, the household expenses, and it briefly occurred to her that someone was going to have to step up and help him out.  She knew for a fact that Herman Butterick didn't have a clue how to do something as simple as writing a check.

Her eyes, still slitted snake-like, moved to the other side of the bed where Amber sat.

Poor Amber, who was the spitting image of her whore of a mother.

Amber was overweight, homely as sin, spotted with acne even though she was approaching thirty, and bound to be a spinster.  Amber had been born dangerously prematurely, and the lack of oxygen following her birth had unquestionably damaged her brain.  Carol's view was that the girl's evident cow-like stupidity was a direct punishment for her mother's sins.

Amber had tried to escape, as much as her limited brainpower would allow.  As Amber's aunt and legal guardian, Carol had ignored the school's requests for special education testing.  Why bother?  The girl was numb as a stump, and nothing was going to change that.

She'd worked as a cashier at one of the town's two gas stations since her graduation from high school with a D- average.  The station's owner, a friend of Herman's, had carefully gone over the cash register with her, had patiently taught her how to make change, and Amber was a fixture at the gas station now.

The year before, she'd moved into an apartment in town with a couple of her old friends from high school.  Carol couldn't remember their names, but one of them flipped burgers at the Burger King uptown, and the other one had a baby and lived on food stamps and welfare money.  

Carol had liked having Amber at home, had become used to bullying the girl into submission.  It was an art form she'd mastered over the years, and besides, Amber had kept the trailer sparkling clean.  Since she'd moved into that hophouse down the road, nobody had vacuumed or dusted or picked up.  Herman wasn't capable of picking up the slack, not with the number of hours he worked each week, and Carol certainly wasn't going to do it.

It might let them onto the fact that she wasn't anywhere near as sickly as they all believed, and that just would not do.  It would lead to all sorts of complications, to questions best left unanswered ...

And anyway, he was back, now, her shining prince, and she knew--knew--that he wouldn't tolerate a messy house.  She'd left instructions with Herman to hire a housekeeper after her death, since she would never make her boy do anything as mundane as housework.

Carol had been married to another man once, when Herman was just another boy from town who was hardworking and came from a family that owned their own land but would never amount to much.

Jerry had been different.  Although possessed of a snake-like native intelligence, Carol Butterick wasn't an educated woman; the word charismatic  was not in her repertoire, although it fit Jerry Melanson to a T.  She had married Jerry without a moment's hesitation, had gone to live in his cabin in the woods without a second thought.  That it didn't have running water or a refrigerator was beside the point--no, what Jerry did to her at night, the way he touched her when he was in a good mood, his booming laugh, those were the things that mattered.

Jerry had a bad temper, and Carol was very cautious not to set off his hair trigger.  Of course, "cautious" was something of a foreign concept to a woman who truly believed herself better than anyone else, a woman who dropped out of school following a fight with another student.  They'd made Carol talk to a "special doctor", and her mother's eyes had widened when the word sociopath was mentioned.  It hadn't been hard for Carol to convince her mother that the shrink was all wet, and it had been with her parents' blessing that she'd left school.

Despite Carol's awareness of and deference to Jerry's quick, violent anger, he spent a lot of nights out of the house, ostensibly because he was out drinking with the boys.  It never occurred to Carol that he was stepping out on her.

So the day that her mother pulled her wheezy Chevrolet into the cabin's dirt driveway and told Carol that her younger sister, Valerie, was pregnant and had named her brother-in-law Jerry as the father was a dark one indeed for Carol.  

Jerry had quickly and, with something close to relief, admitted his affair with Valerie.  He filed for divorce and, as soon as it was finalized, married the now hugely pregnant Val.  To prove that she didn't hold a grudge, Carol had arranged for herself and Herman, who she'd been dating for approximately a month, to be married the same day.

If Valerie felt slighted at having to share her wedding day with the older sister that had tormented and tortured and basically eclipsed her entire childhood, she said nothing.  Valerie was a simple soul, and her affair with Jerry had been based solely on the fact that someone was paying attention to her for once.  

Valerie's baby was a boy, a son she named Albert, and their daughter Amber was born two years later.  

Two years after that, Jerry and Valerie got into a serious car accident.  Valerie received serious, potentially life-threatening injuries.  Jerry received a DWI summons.

Carol, who had largely avoided her sister and former husband other than lavishing expensive gifts on young Albert and, to a noticeably lesser degree, little Amber, swept in to play nurse for her sister.  

There were no questions asked when Valerie succumbed to her injuries despite the best efforts of her sister.  Certainly nobody noticed that the bottle of antibiotics prescribed to Valerie to stop her infection contained the same number of capsules as it had when Carol picked it up at the drugstore.  The numerous painkillers that should have made a woman suffering from tremendous pain feel a little bit better had likewise been untouched.

Shortly after Valerie's death, Jerry was on his way home from a late night at the bar.  His beat-up pick up truck crossed the yellow line and crashed into a small car carrying a family of four on their way home from a picnic at the lake.  He was sentenced to many years in jail, needless to say, and custody of Albert and Amber was transferred to their Aunt Carol.

Carol looked now at the foot of her hospital bed, where Albert was slumped in a chair.  His resemblance to Jerry was striking, and Carol felt a surge of pride ... and a tug of something else as well, deathbed or no.

Albert had been her shining star, the valedictorian of his graduating class, a Boy Scout, a volunteer at the local nursing home, and a three-season athlete.  She had given all of herself to him--all of herself--and, when he tried to protest, she reminded him of all that she had done for him.  It was the least he could do.  Nobody else would ever want him anyway.  If he didn't do what she wanted him to, she would consider sending Amber to an orphanage.

Albert lived under a heavy weight of guilt--the guilt of his very existence which had been at the expense of Aunt Carol, the guilt of protesting her physical desires when she had done so much for him, the fact that Amber was treated like a niece and he was treated as better than a son ...

Carol had not wanted Albert to go to college, but of course a boy of his stellar successes was college-bound. She made Herman buy him a car so that he could come home every weekend, though, and was insistent that he did.

And then Albert met a girl down there in Boston, a high society bitch who clearly thought she was better than Albert's poor white trash family, and suddenly Albert stopped coming home every weekend.  When he did return to the trailer, he brazenly brought the Boston bitch with him.  Carol had no choice but to get the message.

She was disgusted by Albert's weakness as he bought the bitch a diamond ring and wedding plans moved forward, Albert's family left out of all aspects of the planning.  Carol got in her digs when she could--she brought the girl to tears by telling her that she was going to wear black to the wedding, for example--but she mostly had no choice but to gnash her teeth and take out her anger on Amber, who actually showed a degree of gumption by moving out.

The marriage lasted just over a year.  Albert, who'd gotten some hard-core executive job that Carol didn't understand (nor did she need to), had found himself in trouble at work when his aunt (who he referred to as his mother) called him every hour.  He was reprimanded at work, first informally and then on paper.  She continued to call, telling him that she was alone and sick and needed him.

He started leaving work at odd hours to drive the three hours up to make sure that Aunt Carol was okay.  

His wife was not pleased, and between being a failure at work and being a failure in his marriage, Albert started to drink heavily.  He drank as he drove up to the tiny New Hampshire town that was his prison, he spent time with his Aunt Carol, who was the only person that seemed to think he was worth anything, and then he drank all the way back to Boston.

It was inevitable that he would be bagged for DWI eventually.  It happened the day before he was fired from his job, a rising star that fizzled like the bubbles in a bottle of alcohol.

His wife, distraught and confused, was called to bail him out.  She made an appointment for marriage counseling the next day, and for the first time he confessed about the horrible abuse he'd suffered at the hands of his Aunt Carol.  That was the only counseling appointment that he went to sober, and after the third time Albert beat her badly enough to require medical assistance, she filed for divorce.

Carol, who sat in the courtroom holding her son's hand as the divorce was granted, licked her lips like a cat who'd gotten the ultimate dish of cream.  Albert moved back home, and she bought him bottles of wine because that was what he wanted, and he did whatever she wanted as long as he had his wine.

Sometimes, though, the Albert that had crossed the graduation stage covered with gold braid to give the valedictory address, the young man with so much potential who had caught the attention of a bright and beautiful girl and earned her love, tried to stand up to her, tried to say no, both to the wine and to her.

Carol had a history of diabetes, of heart problems, of debilitating blood clots in her legs.  Her history of mental illness was unknown, of course, but Carol had figured out that stopping her medication led to a trip to the hospital in an ambulance ... and the gathering of her family by her bedside.

This was the third time she'd done it, and Herman and Amber looked worried, perhaps even a little suspicious.

Albert just looked resigned.  

His glanced upward, his eyes meeting hers.  She winked at him, a promise of wine waiting at home for him, so long as he played things her way, and he looked away.

She groaned again, an expert at making herself sound pained and long-suffering.  Herman took her hand, and Amber rang for the nurse.

Albert looked away, but she knew it was only a matter of time.  She had her boy back, and he wasn't going anywhere this time ... she knew that it was the wine that held him to her, but that didn't matter to her.

What did was that he wasn't going anywhere.

Saturday, February 26, 2011

Writing Conundrum--Advice Appreciated

When I was in seventh grade, I had a really weird dream. It was incredibly vivid, it stayed with me for many days, almost haunting me, and then I decided to start writing what eventually became the first copy of what's now my completed novel manuscript.

That original piece bears little similarity to what exists now, of course. For one thing, the main character didn't exist at the time (talk about doing things back asswards, right?). Or one of the main characters. Or ... okay, guess I'd better explain this, because therein lies the base of my confusion.

The Gist of the Original Story:
A girl is hired to babysit for a neighboring family when the parents go away for a weekend. A ghost/witch/some sort of evil creature haunts the kids because she's the biological mother of one of the kids (who was, of course, adopted). Unfinished.

Now, this is of course a typical seventh grade story. It had kids banding together to fight an evil force. Period. Kabam. It really kind of stunk.

Gist of the Second Draft:
A girl with a really crappy home life is hired to babsit for a rich family that lives in town when the parents go away for a weekend. The oldest son of the family is, of course, hot ... and, of course, interested in the girl. They fall in love over the backdrop of protecting his little sister from the possessed spirit of his little sister's biological mother. Also unfinished.

I'm going to guess this was at approximately ninth grade or so. It was kind of soft core porn in parts written by a very inexperienced girl. I don't have an existing copy of this draft, but the parts I remember are just toe-curling.

Gist of the Third Draft:
Pretty much the same of the second draft, although better written (not that it was great, but it was a step up). The dialogue was pretty impressive in terms of capturing characterization and sounding realistic (which it should have ... I was, I think, a junior in high school and I'd of course aged my main characters to high school juniors, so I pretty much just wrote the way conversations I had with my friends would go ... this turned out to be a gift later on down the line). I also added several characters, the most notable being Roy Pentinicci.

I added a character named Roy into my novel as part of an ongoing joke with my brother and sister. I cannot divulge details about the back story of said sibling pact(it involves a gay porn magazine and idle chatter made by various relatives ... trust me, you don't want to know), but suffice it to say that the entire cast of unrealistic, formulaic characters would have died a long, slow death if Roy hadn't been created. Roy was initially a very small character that was the then-main character's best friend. He was kind of a jerk, a typical "bad boy", pretty much without limits. He was also, of course, hot (but in a different way than the Mr. Perfect "leading man").

Time goes by. I have a child, I go to college, I live, I laugh, I cry, I learn, I experience. I meet my friend Andy at a New Year's Eve party when I'm nineteen, and it occurs to me when we start hanging out a lot that he IS Roy. This motivates me to pull out the old manuscript and I realize, with both the eye of a slightly older me and my near-obsession with Andy, that Roy is really the most interesting part of the whole piece.

And so I started a new WiP, this one centered around Roy. It started with his childhood as the son of a quasi-exiled Mafia hitman and the abuse he suffered at the hands of both parents. It dealt with his sister's sexual abuse at the hands of his father and the murder of his younger brother. It was a great character sketch, and definitely the best writing that I'd ever done up to that point ... but nothing really happened. Nothing really happened, that is, until Roy became a high school junior and was spending the weekend at his best friend's house with a babysitter and an evil possessed spirit shows up, and ...

Well, you can see what happened. I had two stories that were really one story, and I couldn't figure out what to do. It seemed necessary to me that both Roy's point of view and Susy's (the babysitting girl) were significant to the bottom line of the story ...

And so I started again, the piece that ultimately became Unbreakable, and it had two narrators, and of course it was told via flashback because I was an adult by this point, so I had to turn my main characters into adults that were reflecting on their traumatic childhoods--and their dual salvation from their horrible lives by the rich family who are no longer perfectly too good to be true.

It changed in other ways, too (for example, I'd made this incredible villain in Roy's father who was much more diabolical--and much more realistic--than some random witch/ghost thing, so I changed it to him holding the kids captive), and I was right about the dual storytelling giving the story far richer perspective.

The problem? It's long. Very long. Like, 150,000 words worth of long. I queried it and had several bites--requests for the first three chapters, two subsequent requests for the first 100 words, and a heady solicitation of the entire manuscript.

And then nothing.

And so I've been sitting on this novel for quite awhile. It's good, I know that. Is it good enough? Everyone who reads it seems to think so, but then again, most of them know me in real life (they do all finish it, though, and finish it quickly, so I guess that means something).

Anyway, I'm toying with the idea of separating out the stories, of pulling a reverse Dark Crystal and turning two stories that became one story back into two stories in the interest of manuscript length.

Any suggestions, thoughts, feedback would be much appreciated here.

Are Minorities Discouraged from Taking Upper-Level Classes?: The Elephant in the Room

As a public school teacher for sixteen years, I sometimes feel like I’ve seen it all. I’ve seen Standards come and go (and despite the brou...